<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Eastman on Euphonium Studio</title><link>https://euphonium.studio/maker/eastman/</link><description>Recent content in Eastman on Euphonium Studio</description><generator>Hugo</generator><language>en-us</language><atom:link href="https://euphonium.studio/maker/eastman/index.xml" rel="self" type="application/rss+xml"/><item><title>Eastman EEP321</title><link>https://euphonium.studio/instruments/eastman-eep321/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://euphonium.studio/instruments/eastman-eep321/</guid><description>&lt;!-- EDITOR: verdict in your own voice. Eastman's entry point: a 3-valve,
 non-compensating beginner euphonium (rose brass leadpipe, ABS case). NOTE the
 model-number collision worth disambiguating for buyers: Eastman EEP321 (3-valve
 beginner) is NOT the Yamaha YEP-321 (4-valve intermediate) — same digits,
 different instruments and makers. --&gt;</description></item><item><title>Eastman EEP421</title><link>https://euphonium.studio/instruments/eastman-eep421/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://euphonium.studio/instruments/eastman-eep421/</guid><description>&lt;!-- EDITOR: verdict in your own voice. A four-inline-valve student horn — good
 school-band workhorse, mouthpiece and case included. The direct counterpart to
 Yamaha's non-comp intermediate territory but at Eastman's value price. --&gt;</description></item><item><title>Eastman EEP426</title><link>https://euphonium.studio/instruments/eastman-eep426/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://euphonium.studio/instruments/eastman-eep426/</guid><description>&lt;!-- EDITOR: verdict in your own voice. The step into a side 4th valve WITHOUT
 compensation — 3+1, non-compensating (the 4th valve sits in front of the main
 branch, operated by the left hand). Ideal "advancing player" bridge. Teaching
 cross-link: 4 valves, non-comp -&gt; low combinations still run sharp; contrast with
 the compensating EEP826/822/526 to show exactly what compensation adds. Sits with
 the Yamaha 321 / Miraphone 1255L / Adams Sonic in the non-comp cross-link set. --&gt;</description></item><item><title>Eastman EEP526</title><link>https://euphonium.studio/instruments/eastman-eep526/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://euphonium.studio/instruments/eastman-eep526/</guid><description>&lt;!-- EDITOR: verdict in your own voice. The top Eastman-branded euphonium: fully
 compensating, warm/dark tone, the LARGEST bore in the EEP line (.610"/.630" — a
 notch above the 826/822's .591"/.610"), 12" bell. Eastman's own value-priced
 answer to the pro compensating market (distinct from the premium Willson-Q /
 Shires-Q horns Eastman also builds). --&gt;</description></item><item><title>Eastman EEP822 / EEP826</title><link>https://euphonium.studio/instruments/eastman-eep822-826/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://euphonium.studio/instruments/eastman-eep822-826/</guid><description>&lt;!-- EDITOR: verdict in your own voice. Eastman's value pro compensating pair —
 identical except bell size: EEP826 = 11.5", EEP822 = 12". .591"/.610" bore,
 silver plate, backpack case, American large-shank receiver. The affordable
 compensating pro option under Eastman's own name. --&gt;</description></item></channel></rss>