<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Band on Euphonium Studio</title><link>https://euphonium.studio/tags/band/</link><description>Recent content in Band on Euphonium Studio</description><generator>Hugo</generator><language>en-us</language><atom:link href="https://euphonium.studio/tags/band/index.xml" rel="self" type="application/rss+xml"/><item><title>Euphonium Concerto</title><link>https://euphonium.studio/repertoire/ellerby-euphonium-concerto/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://euphonium.studio/repertoire/ellerby-euphonium-concerto/</guid><description>&lt;p&gt;Martin Ellerby&amp;rsquo;s concerto ranges widely in mood across its movements, including a
much-loved slow movement (&amp;ldquo;Album Leaf&amp;rdquo;) whose lyricism has made it a popular excerpt in
its own right. Written for Steven Mead, it exists in both brass-band and wind-band
scorings and has become one of the defining concertos of the 1990s repertoire boom.&lt;/p&gt;</description></item><item><title>Rhapsody for Euphonium</title><link>https://euphonium.studio/repertoire/curnow-rhapsody-for-euphonium/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://euphonium.studio/repertoire/curnow-rhapsody-for-euphonium/</guid><description>&lt;p&gt;James Curnow&amp;rsquo;s &lt;em&gt;Rhapsody&lt;/em&gt; is one of the most-played American euphonium solos, valued
for its balance of expressive lyricism and accessible technical demands. It gives a
developing player a genuine concert vehicle — dramatic gestures, a singing slow
section, a bright close — without the extreme range of the major concertos, which has
made it a fixture of the student and early-professional repertoire.&lt;/p&gt;</description></item></channel></rss>