<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Featured Solo on Euphonium Studio</title><link>https://euphonium.studio/tags/featured-solo/</link><description>Recent content in Featured Solo on Euphonium Studio</description><generator>Hugo</generator><language>en-us</language><atom:link href="https://euphonium.studio/tags/featured-solo/index.xml" rel="self" type="application/rss+xml"/><item><title>Crossroads</title><link>https://euphonium.studio/repertoire/balmages-crossroads/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://euphonium.studio/repertoire/balmages-crossroads/</guid><description>&lt;p&gt;The soloist must move comfortably between singing foreground and active rhythmic
exchange with the band. Clear articulation and flexible sound make those changes
immediate without becoming abrupt.&lt;/p&gt;
&lt;p&gt;Because the accompaniment is colorful, projection is primarily a matter of timing
and register. Listen for where the orchestration opens, then let phrase direction
carry the sound rather than adding unnecessary volume.&lt;/p&gt;</description></item></channel></rss>