<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Gershwin on Euphonium Studio</title><link>https://euphonium.studio/tags/gershwin/</link><description>Recent content in Gershwin on Euphonium Studio</description><generator>Hugo</generator><language>en-us</language><atom:link href="https://euphonium.studio/tags/gershwin/index.xml" rel="self" type="application/rss+xml"/><item><title>Catfish Row — euphonium excerpt</title><link>https://euphonium.studio/repertoire/gershwin-catfish-row-euphonium-excerpt/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://euphonium.studio/repertoire/gershwin-catfish-row-euphonium-excerpt/</guid><description>&lt;p&gt;Correct rhythm is only the beginning. The excerpt needs a flexible American accent:
syncopations lean and release, note lengths relate to the groove, and heavier attacks
are saved for genuine structural emphasis.&lt;/p&gt;
&lt;p&gt;Listening to &lt;em&gt;Porgy and Bess&lt;/em&gt; as well as the band transcription helps prevent a square
reading. In an audition, style has to register immediately without becoming a
caricature.&lt;/p&gt;</description></item></channel></rss>