<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Holst on Euphonium Studio</title><link>https://euphonium.studio/tags/holst/</link><description>Recent content in Holst on Euphonium Studio</description><generator>Hugo</generator><language>en-us</language><atom:link href="https://euphonium.studio/tags/holst/index.xml" rel="self" type="application/rss+xml"/><item><title>First Suite in E-flat — euphonium excerpts</title><link>https://euphonium.studio/repertoire/holst-first-suite-euphonium-excerpt/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://euphonium.studio/repertoire/holst-first-suite-euphonium-excerpt/</guid><description>&lt;p&gt;Holst&amp;rsquo;s &lt;em&gt;First Suite&lt;/em&gt; is core wind-band language, and its euphonium writing is a
standard test of whether a player can lead without distorting the ensemble around
them. The solo in the opening Chaconne needs warmth and direction, but its tempo and
style still belong to the larger variation structure.&lt;/p&gt;
&lt;p&gt;Auditions expose familiar hazards: overdone rubato, vibrato that obscures pitch, a
beautiful opening that runs out of air, and releases that fail to rejoin the band.
Preparation should include the full score and the lines that precede and follow the
excerpt.&lt;/p&gt;</description></item></channel></rss>