<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Legato on Euphonium Studio</title><link>https://euphonium.studio/tags/legato/</link><description>Recent content in Legato on Euphonium Studio</description><generator>Hugo</generator><language>en-us</language><atom:link href="https://euphonium.studio/tags/legato/index.xml" rel="self" type="application/rss+xml"/><item><title>Melodious Etude No. 42</title><link>https://euphonium.studio/repertoire/bordogni-rochut-etude-no-42/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://euphonium.studio/repertoire/bordogni-rochut-etude-no-42/</guid><description>&lt;p&gt;No. 42 should sound like a complete song even when performed without piano. Breath
choices need to reveal syntax, and rubato should respond to harmonic direction rather
than become a collection of local hesitations.&lt;/p&gt;
&lt;p&gt;The etude is valuable because its exposed demands are transferable. A stable center,
connected valves, and graceful releases improve nearly every lyrical solo in the
catalog.&lt;/p&gt;</description></item></channel></rss>