In Modo Humano

Mon, 01 Jan 0001 00:00:00 +0000

The title points toward a human mode of delivery. Phrases should have syntax and breath, gestures should feel motivated, and silence should register as thought rather than empty time.

Freedom comes from specificity. Establish the rhythmic proportions and dynamic distances first, then allow timing to flex where the imagined speaker changes direction or emotional state.

Sonatina for Euphonium and Piano

Mon, 01 Jan 0001 00:00:00 +0000

Crausaz uses the smaller sonatina frame to keep ideas concentrated. The soloist must shift quickly between articulate motion and song while listening closely to a piano part that participates in the argument.

It is a strong recital choice for players ready to move beyond single-movement solos. The movements are manageable individually, but the complete work rewards a clear plan for contrast and continuity.

Swiss on Euphonium Studio

In Modo Humano

Sonatina for Euphonium and Piano